Bartolomeo Montalbano’s Sinfonia Quarta “Geloso” immediately set the tone for the evening. Flexible phrasing and sensitive ...

Shakespeare, for once, had it backwards: better three hours too soon, his Master Ford tells us, than one minute too late. For their first appearance in Boston since October 2001, the adage might be ...

Schnittke’s String Quartet No. 2, on the other hand, hails from an entirely different world, historically, stylistically, and ...

Talk about a strong finish: while the Boston Symphony Orchestra’s spring season runs through May, the ensemble’s two-month streak of concerts showcasing major new and unfamiliar repertoire that began ...

Shakespeare, for once, had it backwards: better three hours too soon, his Master Ford tells us, than one minute too late. For their first appearance in Boston since October 2001, the adage might be ...

The Handel and Haydn Society might be the country’s oldest performing arts institution, but it certainly is projecting—and performing with–the vigor of youth this week. On Monday, the ensemble ...

Who says old dogs can’t learn new tricks? The Boston Symphony Orchestra—now in its 144 th season—trotted out a fresh one with conductor Dima Slobodeniouk on Thursday night: eschewing the usual ...

“I hate quotation,” Ralph Waldo Emerson once wrote. “Tell me what you know.” Well, there’s no question that Carlos Simon knows the charismatic black church. The son of a preacher, the Boston Symphony ...

There are few great works upon which fame has shone more unwillingly than Edward Elgar’s Violin Concerto in B minor—at least so far as the Boston Symphony Orchestra is concerned. True, this ...

Beware of ideas, Joseph Stalin once warned: they are more powerful than guns. “We would not let our enemies have guns,” he went on. “Why should we let them have ideas?” That statement might make a ...

A sold-out Symphony Hall witnessed a moving performance of Mahler’s Symphony No. 2 in C minor (“Resurrection”) by the Boston Philharmonic Orchestra under the baton of Benjamin Zander Friday night.

The end of a matter, the writer of Ecclesiastes tells us, is better than its beginning. Though that reality isn’t borne out in every situation, the sentiment largely applies to Beethoven’s nine ...