Jacob Elordi twirls through Guillermo del Toro’s “Frankenstein” in what’s practically a modern dance performance, calling upon the Japanese discipline of Butoh to play the monster as a precocious ...

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Shrishty is a decade-old journalist covering a variety of beats between politics to pop culture, but movies are her first love, which led her to study Film and TV Development at UCLAx. She lives and ...

Well, he did it again. Guillermo del Toro’s new film, “Frankenstein,” has impressed both audiences and critics with its adaptation of Mary Shelley’s classic tale. After its release, the film earned an ...

The film begins, as Shelley’s novel does, on a giant ship that’s trapped in the Arctic ice—one that is clearly a physical, colossal prop. When the hulking Creature (played by Jacob Elordi) shows up ...

Frankenstein’s monster has become one of the most iconic horror characters in cinema history, despite the fact that the original novel is not a horror story and Frankenstein is not truly a monster.

The Guillermo del Toro adaptation brings unique perspective—but fails to match the depth of its source material. When it was announced that Guillermo del Toro had struck a deal with Netflix to write ...

I read Mary Shelley’s original version around two years ago, and the obsession began. I annotated my copy front to back, watched several film adaptations and took a “Frankenstein”-based writing class.

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It’s aaalive, but not in the ways you might think. Sewing together a career’s worth of limbs, intestines and dismembered body parts from his previous films, taking fleshy bits from former pictures and ...

That Guillermo del Toro had never before addressed “Frankenstein” is a bit like Yo-Yo Ma overlooking the Bach cello suites, or Julia Child having blanked on boeuf bourguignon. The Mexican maestro of ...