Yorgos Lanthimos and Juliette Binoche are among more than 800 film figures who have signed a statement condemning the oppressive Iranian government.

The Iranian photographer and visual artist highlights Kiran Nadar’s work as a transformative model and underscores the role ...

Face to Face with God is from Shirin Neshat’s iconic Women of Allah series, which radically challenged western views of ...

Thousands of Iranians have taken to the streets this week to protest against the rising cost of living and overall malaise engulfing the country's economy, Protests over spiraling inflation and the ...

Nitin Deckha is a member of the Institute for Performance and Learning and the Canadian Community of Corporate Educators. Gen Z workers are reporting some of the highest burnout levels ever recorded, ...

Sarah Sze (American, b. 1969). Night, 2003. Offset lithograph and screenprint. Private collection. In the 18th and 19th-century Paris salons, hundreds of works were often hung floor-to-ceiling in a ...

MARRAKECH — In a surprise appearance, Tilda Swinton walked the red carpet tonight for the world premiere of Marwan Hamed’s “El Sett” (The Lady) at the 22nd Marrakech International Film Festival. The ...

Remote and hybrid work have become defining features of the postpandemic economy. While most employees seem to love it, the initial optimistic assessment during the pandemic that remote work was a ...

For its “new” production of Aida this fall, the Paris Opera imported one from the 2017 Salzburg Festival, a choice that will have surprised many who saw it there. The production by the accomplished ...

Before the fragile solemnity of a flake of ash floating from a land in mourning, where genocide, the crime of crimes, is exposed before the eyes of the world, Palestinian artists of Gaza speak to the ...

To understand how Americans feel about work, consider two often-cited, but seemingly contradictory, philosophies. First, there’s the American dream—the belief that hard work can bring prosperity. And ...

(Credit: Bernd Uhlig) “Aida,” as we know, was supposed to be Giuseppe Verdi’s last opera. At least, he thought so. Along with his powerful “Requiem,” and all its operatic overtones, his very final ...