Digital backgrounds may not be as obvious as they once were, but improvements in technology have made background replacement into a safer, cheaper and more flexible substitute for real-life locations ...

At this year’s FMX in Stuttgart, ZEISS is showing an interesting extension of its CinCraft lens tech ecosystem that will allow VFX and compositing artists to apply an authentic lens look to content in ...

For pretty much as long as there’s been digital VFX, chroma keying and green screens have been a huge part of the industry.

It’s no secret that in the world of visual effects compositing, The Foundry’s Nuke has led the pack in recent years. Both large studios and smaller facilities have adopted the popular node-based ...

Lux Aeterna delivered complex VFX across five episodes of Squid Game: The Challenge Season 2 — using LiDAR scanning, Foundry Nuke, and a proxy-first pipeline built for reality TV speed.

Stadium crowds were a common VFX problem to solve, Emmy-nominated compositing supervisor for Ted Lasso' Bill Parker explained, with reactionary crowds requiring frequent changes in techniques.

Mulan's VFX team describes their work on the film and how to create digital extras for new productions amid COVID-19. By Carolyn Giardina Tech Editor A key assignment for the visual effects team ...

Parker is nominated in the Outstanding Special Visual Effects in a Single Episode category for the 11th episode of the season, titled “Mom City.” The episode is a prime example of Parker’s work on the ...

The VFX School was an online training platform focused primarily on Houdini-based FX simulation workflows. Its courses centred on effects such as destruction, fluids and pyro simulations, sometimes ...