James Le Gros (left) and Lily Collias in writer-director India Donaldson's "Good One." (Courtesy Metrograph Pictures) There’s a moment in writer-director India Donaldson’s fantastic debut feature ...
Spoilers ahead for the plot of Good One. For most of its brisk 89 minutes, Good One is a quiet, keenly observed drama where nothing much happens — a father-daughter spin on Kelly Reichardt’s Old Joy.
"Are they staying here?" Metrograph FIlms has revealed the first official trailer for Good One, one of the most critically acclaimed films from this year's 2024 Sundance Film Festival. Good One is the ...
If you’ve enjoyed Mike Birbiglia‘s dry sense of humor and deeply personal one-man shows, it turns out the feeling is mutual. “I think I’m one of the very few comedians who really enjoys my fans.
This review was originally part of our coverage of the 2024 Sundance Film Festival. Every once in a while, there is a newcomer who gives such a commanding leading performance that it immediately makes ...
Exclusive: India Donaldson's feature directorial debut about the ramifications of a father-daughter camping trip is the only film to screen at both Sundance and Cannes this year. Per the official ...
The first thing to be said about Good One, a sensation out of Sundance and Cannes opening this week in limited theaters, is how quiet it is—an indie movie about a father-daughter camping trip in the ...
James LeGros, Danny McCarthy, and gifted newcomer Lily Collias star in a movie that unfolds with the grace and sensitivity of a masterful short story. A slight but sensitive and fantastically assured ...
Liam Gaughan is a film and TV writer at Collider. He has been writing film reviews and news coverage for ten years. Between relentlessly adding new titles to his watchlist and attending as many ...
Lily Collias delivers an extraordinary lead performance in this exquisite debut feature about a camping trip and a moment of self-realization. By Alissa Wilkinson When you purchase a ticket for an ...
India Donaldson's debut feature is unassuming but perceptive regarding the shifting power dynamics as parents reckon with their nearly-adult children. But that’s getting ahead of the film and its ...
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