Add Yahoo as a preferred source to see more of our stories on Google. The sound team from 'F1: The Movie' -- (L-R) Al Nelson, Gareth John, Gwendolyn Yates Whittle and Juan Peralta -- are nominated for ...

The team radio editing suite at F1's Media and Technology Centre. Alex Kalinauckas / The Athletic This article is part of our Forever Forward series, showcasing the ways Formula 1 is innovating for ...

Add Yahoo as a preferred source to see more of our stories on Google. Joseph Kosinski had one instruction for the sound team behind his latest feature “F1”: It needed to be as immersive as possible, ...

Sound editor Al Nelson wanted to recreate the experience of a Formula One race: “It’s something you feel in your bones.” By Beatrice Verhoeven Awards Editor F1 sound editor Al Nelson and his team ...

Apple Original Film’s “F1” is many things. It is, for one, the story of Sonny Hayes (Brad Pitt), a washed-up Formula One driver who is recruited by a failing team, to help a hotshot young driver ...

The two films are among those nominated for an Academy Award for achievement in sound. They both they both feature vehicles in motion across challenging landscapes — and sudden, traumatic shocks.

How do you transport a movie audience to a racetrack, recreating the visceral experience of roaring engines, the ear-splitting squeal of tires on pavement and the screeching of brakes?

Joseph Kosinski had one instruction for the sound team behind his latest feature "F1": It needed to be as immersive as possible, and he wanted the audience to feel like they were in the car. Except, ...