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When asked at the 2011 Robert Flaherty Film Seminar to explain the motives behind a certain shot in his 1968 doc portrait “The Blues Accordin’ to Lightnin’ Hopkins,” Les Blank was succinct: “I shoot ...
The title sounds like a textbook you’d never want to open; the boxed set itself is something you’ll have a hard time turning off—four discs of priceless archival rarities that capture the dawn of ...
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